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16B - How To Live 100 Years Album

16B - How To Live 100 Years Album

  • Performer: 16B
  • Genre: Electron
  • Title: How To Live 100 Years
  • Released: 14 Oct 2002
  • Style: Progressive House, Downtempo
  • Label: Hooj Choons
  • Catalog: HOOJLP014
  • Country: UK
  • MP3 version size: 1758 mb
  • FLAC version size: 2423 mb
  • Rating: 4.7
  • Votes: 556

Tracklist

1Colours
Vocals – Kate JacksonWords By – Omid Nourizadeh
2Behind The Face
3Escape (Driving To Heaven)
Vocals [Performed By], Written-By [Vocals], Producer [Vocals] – Richard Morel
4The Room
5Virus
Vocals – Kate Jackson, Lee Christopher, Omid NourizadehWords By – Omid Nourizadeh
6Doubt
Vocals – StephanWords By – Omid Nourizadeh
7De-org Song
8Keep On Changing Shape
9Inbetween Your Choice
10231

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
HOOJCDLP01416B How To Live 100 Years ‎(CD, Album, Dig)Hooj ChoonsHOOJCDLP014UK2002
HOOJCDLP01416B How To Live 100 Years ‎(CD, Album, Unofficial)Hooj Choons HOOJCDLP0142002
HOOJCDLP01416B How To Live 100 Years ‎(CDr, Album, Promo)Hooj ChoonsHOOJCDLP014UK2002
ALO LP01016B How To Live 100 Years ‎(11xFile, MP3, 320)AlolaALO LP010UK2010

Credits

  • Lacquer Cut ByMiles Showell
  • Written-By, ProducerOmid Nourizadeh

Notes

"231" has been released on vinyl only.

Barcodes

  • Barcode (Text): 5 037454 337142
  • Barcode (String): 5037454337142
  • Matrix / Runout (Runout etched, side A): HOOJ LP014 A1 MILES
  • Matrix / Runout (Runout etched, side B): HOOJ LP014 B1 MILES
  • Matrix / Runout (Runout etched, side C): HOOJ LP014 C1 MILES
  • Matrix / Runout (Runout etched, side D): HOOJ LP014 D1 MILES
  • Matrix / Runout (Runout etched, side E): HOOJ LP014 E1 MILES
  • Matrix / Runout (Runout etched, side F): HOOJ LP014 F1 MILES

Companies

  • Distributed By – Vital
  • Phonographic Copyright (p) – Hooj Choons Ltd.
  • Copyright (c) – Hooj Choons Ltd.
  • Published By – Alola Music
  • Published By – Westbury Music

Video

Comments

Chinon Chinon
This is a solid album from a producer who has seemed to excel mainly with remixes such as JSJ's Deep Love 9.
I have found that the test of a producer is an album. Many producers who have released excellent singles often run a bit short on an album, be it a lack of ideas or rushed production.
This album works well, with a progression running through the tracks from begin to end.
There are some duds here though. Colours is driven by a female vocal that feels far too mid-nineties chillout compilation for liking. And the major departure from the mood of the album, The Room, is a piece of minimal tech that simply does not do enough, or have a strong enough hook, to warrant its play length.
But on the whole this is a solid album and at its best reminds me of Leftism.